Friday, October 08, 2004

I'm almost ready

The garbage has been taken out, long-life milk and frozen food have been laid in against my return, my bags are very nearly packed.

I'm off to Venice (and I don't mean California), call it my summer holiday. Seven whole days in the Pearl of the Adriatic (well, OK, two of them spent mostly on trains) sucking down the Campari Soda and the Dolce Vita in dizzying doses. Oh, and not to forget the cappucino, and the restaurants. Ah, and the beach at the Lido. And the Biennale, of course. Architecture this year, can't be helped.

I love Venice. I've been there almost every year since moving to Europe twenty-seven years ago. At a dinner party recently, a pretentious Parisian poseur proclaimed that one cannot "love" Venice, no no, the city is so terribly touristic and those tourists are such awful people (meaning: not like us). But he was wearing yellow shoes and no socks, so we may safely discount his opinion.

I love the carlessness (not a misprint: car-lessness) and how swiftly it comes to seem normal. Already on the first evening, one has forgotten to look left & right before crossing a street. And the quiet! "Normal" cities are immersed in the noise of car-borne traffic, Venice is so still that even by day you can distinguish individual people by the sound of their footsteps.

Last summer, I had a revelation: Venice is not a city, it is a small town through which a tourist superhighway runs, comparable to the little northern Ontario towns that line the Trans-Canada Highway. In both cases a flood of tourism washes all but its own kind before it: no stores that don't cater to thousands; no restaurants that cannot feed dozens; no merchandise but the lowest and commonest denominator of crud. This tide of trivia follows a narrowly defined route from one tourist attraction to the next ("is that on the list?" "No, it's just a church").

It's just like the highway: you drive from A to C, stopping at B for some greasy food, and tell yourself you've seen it all. In fact, you have seen a self-fulfilling prophecy: the density of the flow of money expels individuality, and trash fills the vacuum. I've never understood why one would travel thousands of miles to shop in a chain-store that can be found in your hometown high street, but clearly many people want nothing else.

However, and fortunately, the tourist stream is as narrowly focussed as the highway. If you walk just twenty metres aside from this cultural gutter, you are alone in a different world. There are doorways where cats sit and wait; there are tiny parks holding one tree and two benches where three children play; there are real stores where people buy actual cook-it-yourself foodstuffs. Did you know that Venice has a university? and therefore a university quarter with good bookshops and cheerful cafés and restaurants where the food is cheap and the conversation lively? True, and only a hundred metres from the Accademia bridge.

I'll be back in a week, until then be good and take care.

[Update: read the comments for a brief description of the Biennale. I'll write in depth about it at another time.]

2 Comments:

Blogger Udge said...

Being conceived in Venice has a certain cachet which even Brooklyn cannot top. You clearly chose your parents well.

The Biennale was (as always) invigorating, infuriating, entertaining, boring, thought-provoking and just plain big. As always, the second half (in the Arsenale) was better than the first (the national pavilions in the Giardini): being able to choose from the best in the world naturally brings better results than choosing from among those who can be said to represent country X.

An exception to this rule was the Japanese pavilion, which presented not architecture but culture: the Manga/Otaku subculture of comics and tiny intricate toy figures; although a culture which can fill the entire Sapporo Expo site for a week can hardly be called "sub". Truly wierd, utterly fascinating. The best was a section where they had photographed and built scale models of the rooms of some thirty Otaku of varying ages and professions - and both sexes. For anyone who hasn't yet been to the Biennale and who still intends to go: Do the Japanese early. You will either sneer and walk out, or you'll be there more than an hour.

The German pavilion was also much better than usual: a continuous band of photos of newish buildings in their surroundings, photoshopped together to a nearly seamless landscape image.

The Belgians also presented culture: street life in Kinshasa, the capitol of the former Belgian Congo aka Zaire. There ain't much architecture in Kinshasa, baby, they have better things to worry about. The Belgians won the Best Pavilion prize, IMHO deservedly, though many architects were offended by the decision.

But the very, very best was the Estonian entry near the end of the Arsenale: A lovingly photographed and described collection of handbuilt privies (outdoor toilets without plumbing, for you city folk) which ranged from a Trojan horse to a gutted bottled-water dispensing machine, to a two-holer with a chessboard between the seats. I laughed long and loud, and bought the catalogue.

October 18, 2004 at 9:00:00 a.m. GMT+2  
Blogger Udge said...

Since I can't find a way to edit previous comments: Here are a few more links, to the Belgian, Japanese and German pavilions.

October 18, 2004 at 9:41:00 a.m. GMT+2  

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